Elisabeth Daynès has won the John J. Lanzendorf PaleoArt Prize in the category of 3-Dimensional Art, for her hyper realistic reconstruction of early humans. The Prize was awarded to this talented and internationally recognised paleoartist during the Awards Ceremony for the 70th Anniversary Meeting of the Society of Vertebrate Paleontology.
The Lanzendorf PaleoArt Prize rewards exceptional achievement in PaleoArt, depicting or sculpting paleontological subjects and fossils. Thanks to these artists, paleontologists can communicate their discoveries, and make them accessible to a larger audience.
Elisabeth Daynès at her studio in Paris working on a Paranthropus boisei male © 2006 Photograph P.Plailly
The prize consisted of the following categories: Scientific Illustration, 2-Dimensional Art, 3-Dimensional Art and a special National Geographic Digital Modelling and Animation Award and is the most prestigious award for artists in science art related to paleontology
Elisabeth Daynès was awarded the PaleoArt Prize in the category of 3-Dimensional Art. With hundreds of anthropological sculptures, she has become a leading expert in the painstaking process of hominid reconstructions. A painter, a sculptor and an expert in comparative anatomy she combines scientific research, technological innovation and art, in order to bring our human ancestors back to life.
Australopithecus afarensis female – Lucy – 3.4 million years B.P. discovered in Hadar in Ethiopia– made on the basis of the cast of the skull AL 417 © 2010 Photo S. Entressangle
Daynès strives to create a unique and specific early human or pre-human using the scarcenformation left by the remains of fossils that might be thousands or even a million years old. “Lucy the Australopithecus” and “Flores the hobbit” she created with Prof. Bill Jungers, often described as her finest works, are part of the hundreds of her anthropological sculptures scattered around the world in leading museums along with Toumaï, Australopithecus, Paranthropus, Homo habilis, Homo erectus, Neanderthals, Homo sapiens, etc.
Her sculptures are famous worldwide and her studio, the Atelier Daynès, has been contacted by many European countries such as Germany, Sweden, Portugal and Spain, as well as many other countries, among which South Africa, Japan, French Polynesia, and Mexico. She increased her international fame in 2006 with the bust of Tutankhamen she reconstructed for the “The New Face of King Tut” exhibition. The exhibition devoted to the young Egyptian Pharaoh was a great success in Los Angeles and Chicago and the bust of Tutankhamen was then reproduced on the cover of 25 international issues of the National Geographic.
More information
- John J. Lanzendorf PaleoArt Prize
Created in October 1999, the John J. Lanzendorf PaleoArt Prize is an annual award for paleoartists’ work supported by the PaleoArt collector John J. Lanzendorf. - Society of Vertebrate Paleontology
- Studio Atelier Daynès Videos are available for further information about the Atelier Daynès techniques on the website
It's amazing how an "artist" knows what the soft tissue details, down to the skin color and body hair, from just a few bones or even a single tooth. Of course, I'm being sarcastic, because we have been fooled by these charlatans over the past 150 years. All they are doing is using our imagination to fill in the gaps that the fossil record cannot.
You wouldn't happen to be a creationist, would you?
Could be
What they don't understand is the methodology used. And as to being a charlatan… well… Hands up and proud of it! Better than being stuck in a blinkered universe. Archaeology is about discourse, change, challenges and theory. Move forward. thanks for spotting that backward step Lisanne … I fear you are right… damn that Darwin bloke with his fancy new ideas … lol